Before Finn flies at the battering ram cannon Poe orders him and all the other Resistance pilots to retreat because he knows continuing to engage the First Order forces directly will cost too many lives.
The contrast to Finn’s arc is highlighted by how both men behave during the Battle of Crait. When Holdo’s sacrifice ensures the Resistance’s survival, Poe has a change of heart, learning the importance of caution and living to fight another day. Even after being demoted by Leia, he remains brash and when he disagrees with Holdo’s strategy he stages a mutiny against her while the fleet is under bombardment from the First Order. In the opening of the film, he continues an attack, despite Leia’s orders to retreat, which ultimately costs many Resistance soldiers their lives. Poe starts the movie completely unafraid of the First Order, but it soon becomes clear his confidence has grown into cocky arrogance. Like Finn, Luke eventually rejoins the Resistance on a path of self-sacrifice, although he does so without the obsessive influences motivating Finn.įinn’s arc also acts as a thematic opposite to that of his friend Poe. Believing that his own influence and that of the entire Jedi religion were dangerous for the galaxy, he cut himself off from the Force and isolated himself on Ahch-To. Rather than learn from this mistake, Luke doubled down on his paranoid thinking. As an ashamed Luke tells Rey, his fear of Ben becoming a Sith led him to briefly consider killing his nephew and student, which only hastened Ben’s turn to the Dark Side. Luke’s arc is similar to Finn’s, as he must also stop acting out of fear. Rey and Ben struggle to reconcile their allegiances to their respective sides of the Dark Side/First Order versus Light Side/Resistance conflict with the complicated relationship that develops between them. Rey, Luke, and Ben are caught up in the eternal struggle between the Dark and Light sides of the Force, and are all pulled in both directions at different points. The search for balance of various kinds is a recurring theme in Star Wars, of course, and it connects Finn’s arc to that of various other characters in The Last Jedi. At the end of the film, he is still overjoyed to reunite with Rey but also pays close attention to Rose to make sure her injuries are healing properly, suggesting that he's found a healthier balance for his relationships. Once again Rose helps him see the light, knocking him off course by crashing her hovercraft into his and telling him that the Resistance won’t win by “fighting what we hate,” but by “saving what we love.” Rose then kisses him and while it’s unclear if he returns her romantic feelings, he does obviously see how important her friendship is, and he seems to take her various lessons to heart. He has become so determined to defeat the First Order that he plans to crash his hovercraft into their battering ram cannon despite knowing the crash will kill him, and isn’t even guaranteed to disable the weapon. After rejoining the Resistance, Finn over-commits during the Battle of Crait. Rose manages to open his eyes to the importance of the wider conflict but Finn’s tendency to go to extremes remains until the end of the film.
This is the same way of thinking that leads him to try to abandon the Resistance, including other friends like Poe and Leia, for Rey’s sake in The Last Jedi.
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In The Force Awakens, he lies to the Resistance and Han Solo ( Harrison Ford), saying he knows how to disable the shield generator on Starkiller Base when he doesn’t, just so he and Han will be sent to rescue the captive Rey, despite the risky operation this causes the Resistance to mount. Not only does it effectively develop him as an individual, it provides interesting contrast to the arcs of other characters in the film, especially Luke Skywalker ( Mark Hamill) and Poe Dameron ( Oscar Isaac), making it a crucial part of the film’s greater thematic arguments. But if one revisits The Last Jedi, they will find themselves surprised at how good Finn’s story in the film actually is. Even many of The Last Jedi’s supporters are critical of the storyline given to Finn ( John Boyega), one of the Sequel Trilogy’s main characters, which they view as superfluous to the plot and less emotional than his role in the previous film, Episode VII – The Force Awakens. There is one section of the film both groups tend to agree on, however. There are many moviegoers who view it as one of the strongest and most creative films set in the galaxy far, far away, while others remain fiercely adamant that it ruined the franchise. Rian Johnson’s Star Wars: Episode VIII – The Last Jedi remains one of the most controversial entries in the Star Wars franchise.
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